As the primary author, I conducted in-depth research and analysis for this study on revitalizing the civic and architectural spirit of mosques in the Balkans. My role encompassed developing the conceptual framework, examining historical and contemporary mosque architecture, and identifying socio-cultural factors affecting their design and use. I led the design case study in Skopje, which serves as the foundation for proposing a harmonious blend of traditional motifs and modern architectural approaches. My contribution extends to the formulation of design strategies aimed at enhancing the aesthetic and community significance of mosque spaces in the region, drawing insights from renowned architectural theories and integrating them into practical applications.
Research paper Title
Reviving the Civic and Architectural Spirit of Mosques in the Balkans – A Skopje Case Study
Personal Biography
Ibrahim Beqiri is an award-winning architect and designer based in Istanbul, Turkiye, originally from Prishtina, Kosova. With a career spanning from 2014, Ibrahim has developed a versatile portfolio that includes architecture, urban design, interior design, and product design. He is the founder and lead architect-designer of SHAPE & SHADE, a vivid architecture and design atelier known for its transformative approach to spaces, buildings, and objects.
Ibrahim's expertise extends across various disciplines, blending architectural and graphic design to craft unique identities for spaces, objects, and products. His work is characterized by a strong affinity for natural hues and organic forms, reflecting his commitment to creating meaningful connections with the built environment.
He currently serves as a lead architectural designer, researcher, and urban designer at SANALarc, where he leads diverse, cross-cultural projects globally. Ibrahim also co-founded MODUL, an NGO focused on architectural education and critical discourse, and has been actively involved in community engagement through initiatives like the MODUL Academy.
Ibrahim's work has been recognized in numerous prestigious competitions, including the World Architecture Festival, where his project "Kamenica's Transit Oases" was shortlisted in 2024. His design for the 'Bold Shkam' chair, a modern interpretation of the traditional Albanian stool, will be showcased at the Dutch Design Week 2024.
Ibrahim holds a Master’s degree in Architectural Design from Istanbul Bilgi University and a Bachelor’s degree in Architecture from Prishtina University ‘Hasan Prishtina’. Fluent in Albanian, English, and Turkish, with basic knowledge of Spanish and German, Ibrahim continues to explore the intersections of architecture, design, and urbanism with a focus on sustainability and innovation.
Paper Abstract
This paper examines the architectural and social transition of Albanian mosques in the Balkans, highlighting the gradual decline in their aesthetic value and community significance. Historically, these mosques served not only as places of worship but also as vibrant community hubs, characterized by intricate designs that reflected the cultural identity of the region. However, with the advent of modernization, socio-political changes, and urbanization, many of these mosques have lost their architectural splendor and their role as focal points of community life.
The study analyzes the factors contributing to this decline, including shifts in architectural trends, economic constraints, and changing social dynamics. Emphasizing the importance of reconnecting with the Ottoman architectural spirit, the paper proposes strategies for revitalizing these spaces.
At the heart of the design philosophy lies the seamless transition from the outer to the inner, from the tangible to the intangible. The inner courtyard serves as a tranquil sanctuary, a bridge between the grandeur of the exterior and the serenity of the interior—a metaphorical journey from noise to silence, mirroring the rituals in Islam. Inside, simplicity reigns supreme, with delicate floral motifs adorning the classic domes, where the dome itself becomes the focal point. The subtle shift from white to blue echoes the transition from earthly to eternal-sky; a gradient of the present merging with eternity.
Using a case study of a recent project in Skopje, the paper demonstrates a practical approach to bridging the gap between the rich heritage of Ottoman architecture and the disoriented identity seen in contemporary designs. Located amidst a tapestry of modernist-socialist architecture and historic Ottoman mosques, the project utilizes brick as a symbolic material to blend tradition with modernity, creating a space that harmonizes past and present.
By advocating for a reimagining of Albanian mosques as centers of both spiritual and communal enrichment, this paper proposes strategies for revitalizing these spaces, emphasizing the need for a renewed focus on beauty, heritage, and community integration in contemporary mosque design. It calls for a future where mosque architecture honors its past while adapting to the evolving needs of its communities, thus restoring their historical roles in the modern era.
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